PHI 381: CONTEMPORARY EUROPEAN AESTHETIC THEORY

Professor Hugh J. Silverman

Department of Philosophy

Stony Brook University

Fall Semester 2011

Tues & Thurs 5:20-6:40


These notes are prepared by Thomas Was and Madiha Hamdi (Teaching Assistants).

These notes do not replace attendance in the class which is mandatory.

The protocols are designed to serve as a reminder of what was discussed in class.

They should assist students in understanding the readings but are not a substitute for reading the texts themselves. (HJS)


UNDER RECONSTRUCTION - SEE FALL SEMESTER 2010 FOR THESE SUMMARIES

 

LECTURE #01 SUMMARY - 2010-0902 - Introduction to Aesthetic Theory

LECTURE #02 SUMMARY - 2010-0907 - Heidegger’s Origin of the Work of Art - I

LECTURE #03 SUMMARY - 2010-0914 - Heidegger’s Origin of the Work of Art - II

LECTURE #04 SUMMARY - 2010-0916 - Heidegger’s Origin of the Work of Art - III

LECTURE #05 SUMMARY - 2010-0921 - Heidegger's Language and What are Poets for?

LECTURE #06 SUMMARY - 2010-0923 - Benjamin’s The Work of Art in the Age of Mechanical Reproducibility

LECTURE #07 SUMMARY - 2010-0928 - Benjamin’s The Work of Art in the Age of Mechanical Reproducibility

LECTURE #08 SUMMARY - 2010-1005 - Merleau-Ponty's Indirect Language and the Voices of Silence

LECTURE #09 SUMMARY - 2010-1012

LECTURE #11 SUMMARY - 2010-1014

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REVIEW SHEET FOR FINAL EXAM

copyright 2010 - these notes may not be reproduced without the consent of hugh j. silverman